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Kaikodo Journal XXVI

Honored Guests

Corresponding to the exhibition held between March 18 and April 8, 2010. 37 Chinese and Japanese paintings; 37 Chinese and Japanese objects (77 color plates). Preface by Howard Rogers. 219 pages.

Includes the essays:
James Cahill:
“Comments on the Field of Chinese Painting”
Laura Netting
“John Ferguson (1866-1945) and his Appreciation and Acquisition of the
Collection of Wanyan Jingxian”

The writers of the catalogue believe that each and every work of art is an aesthetic object, to be enjoyed on its own, very personal terms, but they are also artifacts, witnesses from times and ages long past that yet today speak of the original circumstances under which they were made, used, and enjoyed. Defined as “an object produced or shaped by human craft, especially … an ornament of archaeological or historical interest,” an artifact is a physical survivor, giving us direct and immediate access to significant parts of a vanished world. Embodying clues to the means and methods of their production, they also make possible a reconstruction of the visual and tactile experiences that they provided for their original owners. Although closely scrutinized in the sometimes lengthy entries in this journal, the pieces one all remain first and foremost our honored guest.

There are two essays presented in this issue. The first essay, by James Cahill, Professor Emeritus from the University of California at Berkeley, was written in response to a invitation by Kaikodo to discuss something concerning the field of Chinese painting. He was asked to comment in particular on the changes he has observed in the field during his more than sixty years of activity as curator and teacher, and also for his opinion on the direction the field should be taking, the large projects that most profitably could be pursued at present.

The second essay, by Dr. Lara Netting, is equally appropriate for inclusion here because it focuses on John C. Ferguson, a very famous scholar, collector, and dealer of the early 20th century, one who dealt-figuratively and literally-with paintings and works of art coming on the market during the early decades of the century, just before and after 1911, when the Qing dynasty came to an end. Her essay illuminates the process by which paintings and other works of art came on the market in Beijing during that era and also how major institutions in the United States made use of Ferguson’s knowledge and connections to secure treasures for their collections.

Kaikodo Journal XXXVI - Spring 2020 (web)Online only
Kaikodo Journal XXXV - Spring 2019 (web)Online only
Kaikodo Journal XXXIV - Spring 2018 (web)Online only
Kaikodo Journal XXXIII - Spring 2017 (web)Online only
Kaikodo Journal XXXII - Spring 2016 (web)Online only
Kaikodo Journal XXXI - Spring 2015Available
Kaikodo Journal XXX - Spring 2014Available
Kaikodo Journal XXIX - Spring 2013Available
Kaikodo Journal XXVIII - Spring 2012Available
Kaikodo Journal XXVII - Spring 2011Available
Kaikodo Journal XXVI - Spring 2010available
Kaikodo Journal XXV - Spring 2009Available
Kaikodo Journal XXIV - Spring 2008Available
Kaikodo Journal XXIII - Spring 2007
Spring in Jinling - Spring 2004
Kaikodo Journal XXII - Spring 2002
Kaikodo Journal XXI - Autumn 2001
Kaikodo Journal XX - Autumn 2001Available
Kaikodo Journal XIX - Spring 2001Available
Kaikodo Journal XVIII - November 2000
Kaikodo Journal XVII - Autumn 2000
Kaikodo Journal XVI - May 2000Available
Kaikodo Journal XV - Spring 2000Available
Kaikodo Journal XIV - November 1999Available
Kaikodo Journal XIII - Autumn 1999Available
Kaikodo Journal XII - Autumn 1999
In Two Dimensions - Spring 1999
Kaikodo Journal XI - Spring 1999
Kaikodo Journal X - November 1998Out of Print
Kaikodo Journal IX - Autumn 1998Available
Kaikodo Journal VIII - May 1998Available
Kaikodo Journal VII - Spring 1998Available
Kaikodo Journal VI - October 1997Not Available
Kaikodo Journal V - Autumn 1997
Kaikodo Journal IV - May 1997OUT OF PRINT
Kaikodo Journal III - Spring 1997OUT OF PRINT
Kaikodo Journal II - Autumn 1996OUT OF PRINT
Kaikodo Journal I - Spring 1996OUT OF PRINT
Backward Glances - February 1996
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