Journal Essays

Addiss, Steven
“Hosokawa Rinkoku: Seal-carver, Poet and Literati Painter,”
Kaikodo Journal III, Spring 1997, pp. 196-212.

“Shadows of Emotion: the Calligraphy, Painting and Poetry of Gion Nankai,”
Kaikodo Journal IX, Autumn 1998, pp. 9-29.

Andrews, Julia F. and Kuiyi Shen
“The Shock of the New: Li Huayi, Zhang Hong, and the Reordered Landscape,”
Kaikodo Journal XIV, November 1999, pp. 11-25.

Barnhart, Richard, James Cahill, Maxwell Hearn, Stephen Little, and Charles Mason
“The Tu Chin Correspondence, 1994-95,”
Kaikodo Journal V, Autumn 1997, pp. 8-45.

Brinker, Helmut
“On the Origin of the Human Image in Chinese Art,”
Kaikodo Journal III, Spring 1997, pp. 18-47.

Brown, Claudia
“Traditional Chinese Painting in the Twenty-First Century: An Appreciation,”
Kaikodo Journal XXI, November 2001, pp. 13-20.

Cahill, James
“Where did the Nymph Hang?” (Ching Yuan Chai so-shih I),
Kaikodo Journal VII, Spring 1998, pp. 8-16.

“The Emperor’s Erotica” (Ching Yuan Chai so-shih II),
Kaikodo Journal XI, Spring 1999, pp. 24-43.

“Seeing Paintings in Hong Kong” (Ching Yuan Chai so-shih III),
Kaikodo Journal XVIII, November 2000, pp. 20-25.

“Two Palace Museums: An Informal Account of Their Formation and History” (Ching Yuan Chai so-shih IV),
Kaikodo Journal XIX, Spring 2001, pp. 30-39.

“Comments on the Field of Chinese Painting,”
Kaikodo Journal XXVI, Spring 2010, pp. 213-215.

Cahill, Sarah
“Playing to Win,”
Kaikodo Journal XIV, November 1999, pp. 32-36.

Chang, Arnold
“C.C. Wang at Ninety: A Kaikodo Celebration,”
Kaikodo Journal III, Spring 1997, pp. 10-17.

“Substance, Surface, Spirit, and Space:
On the Landscapes of Li Huayi,”
Kaikodo Journal IV, May 1997, pp. 25-33.

“Shadow Skeletons and New Realities Guohua and Cultural Identity,”
Kaikodo Journal VI, October 1997, pp. 37-44.

“Returning to Brushwork: A Personal Exploration,”
Kaikodo Journal VII, Spring 1998, pp. 17-26.

“Yu Peng and his Universe,”
Kaikodo Journal VIII, May 1998, pp. 21-23.

“Entering the Ring: Viewing Wucius Wong’s Art,”
Kaikodo Journal X, November 1998, pp. 18-21.

“After the Age of Auction: Chinese Paintings in New York,”
Kaikodo Journal XI, Spring 1999, pp. 52-61.

“‘The Small Manifested in the Large,’ ‘The Large Manifested in the Small:’ the Connoisseurship of Chinese Painting,”
Kaikodo Journal XII, Autumn 1999, pp. 43-54.

“Traditional Painting in a Postmodern World: the Art of Li Xubai,”
Kaikodo Journal XIII, Autumn 1999, pp. 16-19.

“Reading Between the Lines - Recent Paintings by Harold Wong,”
Kaikodo Journal XVIII, November 2000, pp. 31-38.

“Drawing on the Past,”
Kaikodo Journal XXI, November 2001, pp. 31-39.

Chang, Vivian
“Pioneering for a Musically-educated America,”
Kaikodo Journal XIV, November 1999, pp. 29-31.

Childs-Johnson, Elizabeth
“Metamorphic Imagery in Early Chinese Art; Long-Dragons, Feng-Phoenixes,Gui-Spirit Masks, and the Spirit Journey,”
Kaikodo Journal VII, Spring 1998, pp. 30-52.

Chung, Anita
“The Life, Art and Travels of Xugu (1823-1896),”
Kaikodo Journal XI, Spring 1999, pp. 44-51.

Conover, Carol
“Lilly Schloss (1922-2012),”
Kaikodo Journal XXIX, Spring 2013, pg. 15.

Ebrey, Thomas and Sara Yeung
“The Wonder That Was Nanjing,”
Kaikodo Journal XXVIII, Spring 2012, pp. 13-20.

Edwards, Richard
“Thru Snow Mountains at Dawn: Ma Yuan’s Exceptional Fuel Gatherer,”
Kaikodo Journal XII, Autumn 1999, pp. 21-32.

Fan, George and Madeline Fan
“A Gold and Silver Decorated Buckle: Some New Thoughts on Inlay Technique of Archaic Chinese Bronzes,”
Kaikodo Journal XVII, Autumn 2000, pp. 13-14.

Goldberg, Stephen J.
“Cultural Identity Within the Late 20th Century Chinese Diaspora: The Art of Wang Jia’nan,”
In Two Dimensions, Spring 1999, pp. 13-23.

“The Art of Tseng Yuho,”
Kaikodo Journal XVI, May 2000, pp.28-35.

Graham, Patricia J.
“Okubo Shibutsu, Vagabond Poet of Edo, and His Nanga Painter-friends,”
Kaikodo Journal XX, Autumn 2001, pp. 63-73.

Handler, Sarah
“At a Clean Table by a Bright Window: Furnishings in a Chinese Scholar’s Retreat,”
Kaikodo Journal XII, Autumn 1999, pp. 8-20.

Ho Wai-kam
“The Trubner Stele,”
Kaikodo Journal XX, Autumn 2001, pp. 16-27.

Kameda-Madar, Kazuko
“A Set of Four Guardian Hanging Scrolls and the Transformation of the Twelve Devas Pictorial Tradition in Medieval Japan,”
Kaikodo Journal XXVIII, Spring 2012, pp. 21-27.

Kao Mayching
“A Return to Tradition, the Return of Individuality—The New Wave in Contemporary Chinese Painting,”
Kaikodo Journal VI, October 1997, pp. 20-26.

Kung Chi Shing
“Culture as a Physical Memory,”
Kaikodo Journal XIV, November 1999, pp. 26-28.

Kushner, Robert
“Traveling Through Inner Operas,”
Kaikodo Journal XIII, Autumn 1999, pp. 20-21.

Lang Shaojun
“Exhibition by Fifteen Nanjing Artists: Preface to the Exhibition ‘Spring in Jinling,’”
Spring in Jinling, Spring 2004, pp. 11-15

Lee Yulin
“Taiwan: Voicing an Identity,”
Kaikodo Journal VIII, May 1998, pp. 7-12.

Levenson, Jay A.
“Reflections in a Western Eye,”
Kaikodo Journal VII, Spring 1998, pp. 27-29.

“Reflections on Progress in Chinese and Western Art,”
Kaikodo Journal XIII, Autumn 1999, pp. 22-23.

“Multicultural Beauty,”
Kaikodo Journal XVII, Autumn 2000, pp. 10-12.

Li Chu-tsing
“Cultural Life in Hong Kong During the Late Twentieth Century: a Personal Reminiscence,”
Kaikodo Journal XVIII, November 2000, pp. 9-19.

Li Xubai
“Artist’s Commentary,”
Kaikodo Journal XIII, Autumn 1999, pp. 14-15.

Mair, Victor H.
“Xie He’s ‘Six Laws’ of Painting and Their Indian Parallels,”
Kaikodo Journal XXIII, Spring 2007, pp. 30-50.

McDermott, Hiroko T.
“Art Exhibitions in Mid-Late Meiji Japan and Ueno,”
Kaikodo Journal XXIV, Spring 2008, pp. 308-316.

McDermott, Joseph P.
“The Art of Making a Living in SixteenthCentury China,”
Kaikodo Journal V, Autumn 1997, pp. 63-81.

“Chinese Lenses and Chinese Art,”
Kaikodo Journal XIX, Spring 2001, pp. 9-29.

Menke, David
“Remembrance: John Menke (1919-2009),”
Kaikodo Journal XXVII, Spring 2011, pp. 6-7.

Netting, Laura
“John Ferguson (1866-1945) and his Appreciation and Acquisition of the Collection of Wanyan Jingxian,”
Kaikodo Journal XXVI, Spring 2010, pp. 216-219.

Ng, K.Y.
“Song Dynasty Black-glazed Tea Bowls from the Yulinting Kilns at Mount Wuyi,”
Kaikodo Journal XXIV, Spring 2008, pp. 253-259.

Owyoung, Steven D.
“The Connoisseurship of Tea-A Translation and Commentary on the ‘P’in-ch’a’ Section of the Record of Superlative Things by Wen Chen-heng (1585-1645),”
Kaikodo Journal XV, Spring 2000, pp. 25-50.

“‘Lu Yu’s Brazier’ Taoist Elements in the T’ang Book of Tea,”
Kaikodo Journal XXIV, Spring 2008, pp. 232-252.

Pegg, Richard A.
“Xie He’s ‘Six Laws’ in a Daoist Context,”
Kaikodo Journal XXIII, Spring 2007, pp. 22-29.

“Imperial Touring and the Empire: MacLean Collection Maps of the Qianlong Era,”
Kaikodo Journal XXVII, Spring 2011, pp. 15-23.

Poster, Amy and Bob
“David Newman (1936-2012): Random Recollections,”
Kaikodo Journal XXIX, Spring 2013, pp. 9-12.

Rockwell, John
“Love, Death and Resurrection, in and of The Peony Pavilion,”
Kaikodo Journal XV, Spring 2000, pp. 11-24.

Rogers, Howard
“On Figure Painting of the Early Dynasties,”
Kaikodo Journal III, Spring 1997, pp. 48-55.

“Beauty, Poetry, Truth and Vision: On the Evolution of Chinese Landscape Painting from the 8th to the 12th Century,”
Kaikodo Journal IV, May 1997, pp. 9-23.

“Second Thoughts on Multiple Recensions,”
Kaikodo Journal V, Autumn 1997, pp. 46-62.

“Chinese Painting After the End of Art,”
Kaikodo Journal VI, October 1997, pp. 45-55.

“Notes on the Meaning and Function of Ming-ch’i,”
Kaikodo Journal VII, Spring 1998, pp. 53-59.

“In Search of Enlightenment,”
Kaikodo Journal XI, Spring 1999, pp. 8-23.

“Critical Prospects,”
Kaikodo Journal XIII, Autumn 1999, pp. 24-29.

“Tung Yuan Chronicle,”
Kaikodo Journal XII, Autumn 1999, pp. 55-89.

“Lives of the Painters: Hsia Kuei (1145?-1225?),”
Kaikodo Journal XV, Spring 2000, pp. 51-71.

“Lives of the Painters: Ch’ien Hsuan (ca.1240-ca.1311),”
Kaikodo Journal XVII, Autumn 2000, pp. 15-57.

“Lives of the Painters: Li T’ang (ca.1080-ca.1163), ”
Kaikodo Journal XIX, Spring 2001, pp. 40-67.

“Third Man Theory,”
Kaikodo Journal XX, Autumn 2001, pp. 44-60.

“The Quality of Excellence: the Six Standards of Hsieh Ho,”
Kaikodo Journal XXIII, Spring 2007, pp. 51-61.

“Lives of the Painters: Sheng Mou (ca.1300-ca.1359),”
Kaikodo Journal XXIV, Spring 2008, pp. 260-278.

“In Their Emperor’s Service: Court Painting of the Ming Dynasty,”
Kaikodo Journal XXIV, Spring 2008, pp. 279-290.

“Sherman E. Lee (1918-2008),”
Kaikodo Journal XXV, Spring 2009, pp. 15-17.

Rogers, Mary Ann
“The Aesthetics of Change: Extraordinary Exiles,”
Kaikodo Journal XXIII, Spring 2007, pp. 14-21.

“Treasures from the Kingdom of Qian: The Mu Family Collection of Painting & Calligraphy,”
Kaikodo Journal XXIV, Spring 2008, pp. 291-307.

“The Passing of Friends,”
Kaikodo Journal XXV, Spring 2009, pp. 12-14.

“Helmut Brinker (1939-2012),”
Kaikodo Journal XXIX, Spring 2013, pp. 13-14.

Thompson, Melissa
“Gathering Together the Pieces of Dsui Hua,”
Kaikodo Journal XVI, May 2000, pp. 21-27.

Tseng Yuho
“Notes on My Life and Art,”
Kaikodo Journal XVI, May 2000, pp. 9-20.

Wang, C.C.
“The Importance of Brushwork in Chinese Painting,”
Kaikodo Journal XXI, November 2001, pp. 27-30.

Wang, Jason Chia-ch’i
“Representing Culture: Notes on the Yu Peng 1998 Kaikodo One-man Show,”
Kaikodo Journal VIII, May 1998, pp. 13-16.

White, Julia M.
“From the Artist’s Collection,”
Kaikodo Journal XVIII, November 2000, pp. 26-30.

Wong, Harold
“The Education of Harold Wong,”
Kaikodo Journal XVIII, November 2000, pp. 39-43.

Wong, Wucius
“A Bi-Directional East-West Journey,”
Kaikodo Journal X, November 1998, pp. 11-17.

Woodward, Hiram W. Jr.
“Is There a Shussan Shaka in the Ryoan-ji Garden?,”
Kaikodo Journal XII, Autumn 1999, pp. 33-42.

Yao, Pauline
“Traversing Tradition: Collecting Contemporary Art at the Asian Art Museum of San Francisco,”
Kaikodo Journal XXI, November 2001, pp. 21-26.

Yen Chih-hung
“Representations of the Bhaisajyaguru Sutra at Tun-huang,”
Kaikodo Journal XX, Autumn 2001, pp. 28-43.

Yin, Hwang
“Roderick Whitfield and His Technicolour Dreamcoat: Reflections on Fifty Years of Scholarship,”
Kaikodo Journal XXIX, Spring 2013, pp. 17-25.