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A Natural Selection

(Spring 2001)

The theme of this exhibition, “A Natural 
Selection,” was initially intended to emphasize 
the world of natural creatures, by and large 
excluding humans. Paintings and objects 
were thus selected for inclusion that presented 
these animals, birds, and creatures in forms 
varying from the most realistic to the extremely 
abstract. As preparations for the exhibition 
progressed, however, other meanings and 
interpretations came into play and ideas on the 
evolution of the various arts determined the 
addition of a number of additional pieces.

There were many highlights in this exhibition which included Chinese earthenwares, stonewares, and porcelains, metalwares from the Bronze Age to the Tang, as well as later Chinese textiles. An exquisite Song-dynasty fan painting, “Butterfly and Roses,” and an anonymous landscape fan painting with an old attribution to Li Tang, represented the early Chinese academic tradition, while a striking painting by Lu Ji in hanging scroll format of colorful camellias growing by rocks and bamboo, all blanketed by snow, represents the Ming court or academy style. Later paintings ranged from Lan Ying’s rendition of old-master paintings in a pair dated to 1661 painted on silk, the landscape elements filling the surface, to a spare and refined album of pine, plum and bamboo paintings on paper also dated to the 1660s. The latest Chinese painting in the exhibition was by the contemporary master Zhu Daoping in which the slender autumn waterfall which was the subject of the painting vied with the painting as a study in color and texture. This slender stream was a great contrast to the crashing and cascading of Maruyama Okyo’s giant waterfall of 1772.  The Japanese paintings in the exhibition comprehended a wide variety of style and subject including a 14th century Nehanzu (“Death of the Buddha)” to a monkey by Mori Sosen to various
Ukiyo-e subjects.

Kaikodo Journal XIX

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